Seijun Suzuki has had the term “Maverick Director” affixed to his name like some kind of mandatory honorific. He never would have had the opportunity to achieve maverick status had he not also been able to deliver the straightforward genre pictures that he had been hired to create.
Adinath, a saintly jailer, undertakes an experiment involving six of his prison’s most hardened criminals. Under this arrangement, the prisoners will be freed under his care and taken to a barren stretch of land where they will set up a communal farm.
Taken as a trilogy, Hunebelle’s Fantomas films seem to hew closely to the spirit of those early serials that first brought Fantomas to the screen. You could even regard them as three unusually elongated chapters in such a serial. In keeping with that, Hunebelle doesn’t forget to spice Fantomas up with a generous helping of nostalgic, Saturday matinee style thrills.
Forbidden Photos concerns itself with only one murder, rather than a series of them, which might, for some, put it at a distance from the giallo genre as a whole. If you are someone who comes to giallo cinema primarily for its stylized violence that will likely be the case.