Hatchet for the Honeymoon is not the kind of film to watch for a kill count or ingenuous murders. It is the kind of film to watch for paranormal and sartorial phenomena, ghosts, discotheques, mysterious deaths, horrifying old toys, and the narration of a “paranoiac.”
When it came time for Mario Bava to turn in his version of a Hitchcock movie, he picked up on that underlying current of malicious giddiness and ratcheted it up. In Blood and Black Lace, Bava is a peasant let loose to demolish a nobleman’s home.
Nora ventures onto unfamiliar streets and is soon set upon by a purse snatcher and knocked unconscious. When she comes to, she is horrified to see a woman staggering toward her. The woman collapses, revealing a knife in her back.