Musidora wears this maillot de soie sporadically, a few minutes spread throughout the serial’s nearly seven hours, yet that is – not undeservedly – the indelible iconic image not just of Les Vampires, but of Louis Feuillade’s entire filmography.
Creating an emotional attachment to the characters and a sympathetic reaction to the violence against them isn’t a giallo priority. Who Saw Her Die? is the rare giallo that attempts and succeeds this, thanks to a committed performance by former James Bond, George Lazenby.
When it comes to truly loathsome characters in a giallo, few can match Giuliano Carnimeo’s The Case of the Bloody Iris, a film in which pretty much everyone is hateful, stupid, or more often, hateful and stupid.
At first, Frankenstein plays it coy. After the creation scene, we see the monster only as a horrifying, dead-looking, clawed arm slowly reaching out from behind a heavy metal door.
Strange things were happening on the streets of Paris in 1913. In February, trials began for the surviving members of the infamous Bonnot Gang, a group of murderers and anarchists who cut a swathe of criminal terror across France and Belgium.
The Bloodstained Butterfly is the odd giallo where the police seem dedicated to their job. Although it boasts the elaborate murders and cast of red herrings one expects from the genre, it also surprises by spending at least as much time on police procedure, forensic science, and courtroom maneuvering.
Forbidden Photos concerns itself with only one murder, rather than a series of them, which might, for some, put it at a distance from the giallo genre as a whole. If you are someone who comes to giallo cinema primarily for its stylized violence that will likely be the case.