Kriminal was one of many Italian comic book anti-heroes that rose to fame in the 1960s, inspiring a host of imitators all wearing, for whatever reason, skeleton bodystockings. But only one Kriminal cash-in made it to the big screen alongside the Italian original: Turkey’s Kilink.
Now that’s the life — where, during a mild bit of cat burglary, you sneak into a lavish hotel room via the window and find Kay Francis in a low-cut evening dress, relaxing languidly across the foot of the bed, waiting for you with a glass of champagne in her hand.
Cruel Gun Story is based on a book by hardboiled crime novelist Haruhiko Oyabu. It tells the story of Togawa, a con who is sprung from prison early via the machinations of a mysterious underworld kingpin who wants Togawa to carry out a robbery that they’ve planned.
Seijun Suzuki has had the term “Maverick Director” affixed to his name like some kind of mandatory honorific. He never would have had the opportunity to achieve maverick status had he not also been able to deliver the straightforward genre pictures that he had been hired to create.
When news of the invisible man spreads across town, Yajima hatches a scheme to capitalize on the warning that another invisible man is out there. He dresses his gang up in the iconic Claude Raines style overcoat and face bandages and has them rob banks and race tracks while claiming to be invisible men themselves
Invisible Man Appears is, like some of the Universal sequels, more of a crime drama than it is a horror or science fiction film, though there are enough beakers and wild white Albert Einstein hair to give it a reasonable claim to scifi.