The Sister of Ursula

The Sister of Ursula is like watching a Jess Franco film without that director’s flare. Contemplate that one on the Tree of Woe. Sex scenes, the Italian coast, outlandish murders — everything about The Sister of Ursula seems to operate under the directive of “Well, this should be good, but we’re going to mess it up.”

Read Article →

Dark Purpose

Had Dark Purpose been an hour long episode of a TV show, it would have delivered. But forced to come up with, roughly, three half-hour acts, it can’t sustain the momentum and Shirley Jones, while perfectly acceptable, just isn’t dynamic enough to make us forget nothing much is going on.

Read Article →

Gumnaam

Gumnaam isn’t shy about the sort of films that have influenced it. Adopting the sort of jet set internationality of the 1960s, it becomes an amalgamation of old dark house mysteries and pop-art modernism filtered through the lens of Arabesque, Mario Bava, and Charade.

Read Article →