Asia-pol, with all the smart suits and colorful mini-dresses, not to mention death by exploding golf ball, offers just enough to keep you around as you see the sights with Jo Shishido, Ruriko Asaoka, and pouting teenager Jimmy Wang Yu sitting in the back seat.
Kriminal was one of many Italian comic book anti-heroes that rose to fame in the 1960s, inspiring a host of imitators all wearing, for whatever reason, skeleton bodystockings. But only one Kriminal cash-in made it to the big screen alongside the Italian original: Turkey’s Kilink.
Golden Buddha is tremendous fun and a real treat for fans of 1960s spy films despite there being no actual spies in the film. It’s still got plenty of intrigue and sneaking about, and the production is sumptuous. Fans of zany 1960s art direction will be in heaven.
While the Golden Bat is a lesser known Japanese super hero compared to the likes of Ultraman or Kamen Rider, he is no less a venerable one. The creation of one Takeo Nagamatsu, his origin dates back to the early thirties.
In a sense, Antonioni has made a movie about the movie he is making, and his final conclusion, if it is indeed a conclusion, is a bit sad. Thomas chases the meaning of the photographs he has taken, but he never gets there. In the end, everything he has done vanishes.